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8 hours ago, GoliathForge said:Thank you. I appreciate that. I like the obvious hint of desire and fury denial within a relationship eternal. But that's just me.
What does that have to do with the run attack animation or is that even a serious answer?
Its difficult to be kind here, so we should leave it at that. I do enjoy the engagement, I actually very much want to continue the discussion because I believe you to have some good things to say. I would love your opinion on some of my stuff.
But to answer, those words are real. That is what I see when I look at this sequence. I may not agree technically, but I respect the art form and what its attempting to convey.
Drawn cave 4
goliath where is your work. you can give me your first gut reaction. while its better not to be cruel. I can handle your first thought. if its honest
I'm happy to focus here. I recognized the timing in the latest version and noticed the additional pose markers toward the end with an anticipation of the female character about to take charge from my perspective. This is nice. As if in the gallery sippin' tea, talking shop 
To work in this fashion is interesting. I imagine as story progresses, more opaque poses fill the gaps.
drawn cave 5
https://youtu.be/UsL4uJSwmEg
initially I only knew this would be a character walking towards a character sitting. sitting character would attack the walking character. it has been pieced together. pose by pose from that point.
I can always go back and make changes
drawn cave 6
https://youtu.be/RbZFR6x6hDM
with the dancer these are random poses testing flexibility
50 minutes ago, tyree said:some running
You should watch some reference video on how people run. That's not even close.
this is an old model i did over 10 years ago. with a standard bipedal rig. I had an interest in seeing an old model with the way I rig now. which is nowhere in the vicinity of a bipedal rig
pria dive
https://youtu.be/lSNiDfJ8-io
